Concept

FanRows is grounded in the idea of sound as space - the exploration of sound as a continuous perceptual field shaped by physical presence over time.

Instead of symbolic control, instruments, or performance-oriented interfaces, FanRows investigates how sound behaves when it is not produced, but continuously encountered and regulated through movement, stillness, and duration.

The project examines how auditory feedback can function as a perceptual environment, rather than as a medium for expression, communication, or composition.

Conceptual Orientation

• Sound as a continuous perceptual field
• Movement as regulation rather than control
• Continuity instead of triggering or command-based interaction
• Observation over production

FanRows does not propose a method, technique, or framework to be adopted. It offers a space in which perceptual relationships can be observed rather than designed.

Within this context, FanRows is concerned with how interaction changes when sound is:

• not triggered or intentionally produced,
• not structured as a sequence or score,
• but continuously shaped by bodily presence, stillness, and temporal variation.

FanRows - Sound as Space.